Wednesday, 1 January 2014

JUICED Best of 2013

Hard to believe its been a year already and like former years 2013 didn't disappoint with unforeseen comebacks, new artists, interesting collaborations and established bands hitting their stride. If this year brings any of the above we are in for a pretty good year for music. As usual with the amount of top class releases its been a hard task to whittle them down to a top 10 but after much thought this was finally done and I managed to choose my number 1 record. Of course its only one person's opinion of course and I am open to suggestion to what record you couldn't get enough of in 2013.

This list of releases below demonstrates what a top year for musical talent 2013 was, and I reckon that all these release deserve their place in your collection enjoy :)


Daft Punk - Random Access Memories

A daft punk release is always met with a large amount of trepidation and this release was no different. Whilst there might have been an assumption that the band would go towards the EDM direction which a lot of bands are doing at the moment. This was daft punk and they always do their own thing. What they did do is enlist the help of a Disco legend Nile Rogers of Chic fame and an R&B superstar Pharrell Williams to produce a vintage yet fresh sounding album. You could not escape the catchy melody of ‘Get Lucky’ in the summer and ‘Lose Yourself to Dance’s disco guitars drew the listener in. Although the rest of the album used synths and vocoders and felt a little flat. They made it ok to like disco again with the help of some  friends.


Willy Moon - Here's Willy Moon

Some things go together, like bangers and mash ,bat and ball, sugar and spice etc. but 50s rockabilly and digital production? surely not likely. One listen to smash hit  ‘Yeah Yeah’ and its clear to see what this New Zealander was doing wasn’t such a bad idea after all. In fact its inspired especially on the prime cut from Willy’s debut album ‘my girl’ which sounds like a lost 50s rock n roll track fed through a synthesiser. With ‘Here’s Willy Moon’, in 2013, he breathed fresh life into old beloved genre and everyone was invited.


Haim - Days Are Gone

The LA three piece were one of the most talked about bands this year. Not only did they showcase their talent of crafting a mix of R&B and country with hooks aplenty but their live shows were joyous and unhinged showing all aspects of their personality and talent. They brought a fresh and honest perspective to a frankly stale music scene, not always politically correct but never boring and we loved them for it. Whether it was the breezy pop of Forever or the smooth stylings of ‘Go Slow’. Occasionally they edged too close to their obvious influences Fleetwood Mac et al but they managed to stamp their personality to stop it getting all too familiar.



Nick Cave & The Bad Seeds - Push The Sky Away
This represented a departure from his other guise as one part of bluesy rock act Grinderman which had a heavier sound towards an altogether restrained and softer approach. Despite this change of direction Cave doesn’t lose any of his power of storytelling and still remains an interesting lyricist. With songs like the slowbuilding melodic ‘Jubilee Street’ which has to be one of the loveliest songs he has written and the restrained ‘We Real Cool’ even manages to have a menacing undertone to it even though it has a sparse accompaniment with Cave crooning ‘ I hope your listening’ on it. It would be inexcusable to mention Warren Ellis here as its his instrumental washes on the tracks that really makes the album stand out.


David Bowie - The Next Day

 When the chameleon of pop announced he was releasing a new album it was almost like liquid dream that people never thought they would bear witness too. but this was actually happening. Bowie recorded his new album with former producer and collaborator Tony Visconti. The first fruits of this renewed partnership was ‘ Where are we now’ which depicted Bowie in contemplative mood and perfectly translated into what he meant to people and to the music landscape. The rest of the album harked back to his exploits as Ziggy and his 'Heathen' and 'Reality' releases but on this effort it looks like he has got more to say and it won’t be too long till we have another LP from him.

Lorde - Pure Heroine

One of the most talked about celebrities this year was Miley Cyrus and her controversial outfits and performances. It was heartening to think that contrary to this carcrash there were still some actual new songwriting talent up and coming who were all about the music rather than the glamour.Step forward new zealander Lorde with her own brand of R&B and Indie. Take 'Royals' which deals with  teenage dreams of being famous yet also understands that she is still young at 16 and therefore appreciates she is still a teenager as on tennis court. Her self-informed lyrics and minimalist production are a striking combination and show why she is a revered talent and unlike some she doesn’t have to show some skin to be noticed.


Chvrches - The Bones of What You Believe

When ‘Lies’ came out its throbbing synths and sweet but deadly female vocals heralded a new band that was set to change the ideas of what Glasgow was capable of. What really made them stand out was their combination of electro pop and the dark lyrics. Recover showed that this band were pleasant to listen to but had bite. Mother We Share showcased their softer side as Lauren’s vocals took on an altogether new register. It all added up to an album that was sinister in conception but also boasted some brilliant pop hooks and angelic vocals that brought some much needed lightness to proceedings.


Dutch Uncles - Out of Touch in the Wild

Another reason why all the best music was coming from Manchester. The Uncles new release arrived at the beginning of the year and captivated and impressed in equal measure with its jerky guitar art-pop rhythms and bursts of strings. Out Of Touch in the Wild is all over the place and shouldn’t work but the reason it does is because its has a pop sensibility running throughout as evident on classy numbers ‘ flexxin ‘ and the jumpy ‘fester’ . Rather than over-egg their music as some bands tend to do, they still have the personality and talent to match and in lead vocalist Duncan Wallis a voice you can while away the hours to.


London Grammar - If You Wait

The first thing that strikes you about the band is Hanna's commanding yet stunningly beautiful vocal. Its easy to feel every emotion she feels and the minimalist electronic backing provides the perfect backing for her strong vocals. Having been referred to as Florence meets the XX, the band are so much more. There is an emotional honesty to their lyrics and the restrained yet    of their music is captivating. When ‘Hey Now’ was released earlier on in the year it showcased their exquisite songcraft for all to see. ‘Strong’ expanded on this and became almost an anthem in waiting. The album had treats galore and if you waited till the end, there was even a cover of Kandinsky’s Nightcall which was breathtaking - a brilliant debut album and almost grabs the top spot.


The National - Trouble Will Find Me

 With every release Brooklyn's the National have been forging their own musical identity. They have always remained true to the song unafraid to emotionally bear their souls. There was a danger that with 2010s High Violet they might be looking towards the mainstream but their obscurity of their lyrics and carefully crafted songs ensured this was not the case.'Trouble Will Find Me could be their most personal yet accessible collection yet. Its a mixture of restrained beautiful instrumentals as on ‘Slipped’ based around Matt Berningers introspective lyrics and occasional orchestral Swells as on the surging ‘Graceless’ complete with backing harmonies. . One can't help but be floored by the stunning ballad 'I Need My Girl' and admire the slowburning brilliance of 'Demons' Whilst not as immediate as 'High Violet' it gradually worms its way in and rewards with repeat listens and then you have a new favourite. All in all a captivating record that showcases an established band at the top of their game and a worthy No.1 of 2013.

Sunday, 11 August 2013

NEW POST:11/08/13

Summer Gaze is Here

We witnessed it at the start of the year with Birmingham’s trippy neo-psychedelic scamps 'Peace' now it seems that a slew of bands are following suit aiming straight for the stars whilst dipping their toes in the acid rock cauldron and lets not forget the fact that Shoe-gazers Mazzy Starr are making their long awaited return.All of these elements suggest that a summer of psychedelia is upon us Three of the bands that are creating their own brand of intoxication over our attentive ears and minds are MONEY, Swim Deep and sit back relax forget about the rain and bask in their glorious array of sounds.


Manchester’s M O N E Y have been making waves for around two years charming new music fans with their combination of ornate instrumentation and feelings of loss. Their music is alike to recalling photographs and memories from a forgotten childhood but whilst also nostalgic is inspiring.Of course Manchester music has a long standing relationship with melancholy and sadness with the likes of Joy Division and The Smiths all basing their music around these aesthetics. Where M O N E Y stand-out is that they create music which although is tinged with sadness ultimately becomes something inspiring and uplifting. They recently played a gig at the Sacred Trinity Church in Salford which was the perfect setting for their spiritual sounds.Take new track ‘Bluebell Fields’ which effortlessly takes you away with their intricate layers of guitar and impassioned vocals that could easily become something morose but becomes a rare thing of beauty and wonderment.  

You can check out the video for ‘bluebell fields’ below:  for more info check them out on facebook

Swim Deep

Another band from Birmingham who like PEACE have a psychadelic facet but have a warmth rather than a spikiness to their music. Cutting their teeth with Two Door CInema Club on tour they have been slowly converting fans to the majesty of their swirling atmospheric indie pop. Taking their mantle on Chess Club records the label that brought us Kyla Le Grange and Lulu James   
they are in good company already. The band though are not ones to rest on their laurels as they let their music do the talking as recent single ‘She Changes The Weather’ which might have a bit of a baggy style about  it putting in mind of early Stone Roses but its wispy vocals and squalls of guitar create a heady moment of swoonsome pop to lose ones self to. Something in the water in Birmingham-maybe?

you can listen to ‘She Changes the Weather’ below:-


Its easy to mistake the Northampton band's track ‘ Colours of Life’ as a long lost 60s psychedelic track on the old ‘ Nuggets’ series, but the band are giving psychadelia a new lease of life with their combination of folk pop and psychedelic sensibilities. Whilst some may dismiss the track as repetitive trash, they are clearly missing the point of the track. With ‘Colours to Life’ Temples have created an intricate  tapestry of sounds that should easily win neo psychedelic fans over.Noel Gallagher stated recently that Temples are more important than the prospective Oasis reunion and I'm inclined to agree. The notion that the track could sound so much more epic in a live setting is a mouthwatering prospect but for now ‘Colours to Life’ in its single form will be the perfect trip to drift away on.

You can check out the brilliant trippy video for Colours to Life below:- for more information check their facebook.

Friday, 19 April 2013

British Sea Power Impress In Manchester

British Sea Power @ Manchester Gorilla 11.4.13

Throughout their tenure Brighton's British sea power have worn their eccentricities proudly as was shown on their complex yet quietly brilliant d├ębut,'Decline of British Sea Power'. However with each release they have been perfecting their songcraft to display a more anthemic and dreamlike quality to their music and occasionally have struck gold with 'Open Season' and 'Do you like Rock Music?' which was their grand statement and possibly their confirmation of true British rock royalty.

Their new release is said to be their best effort yet combining a raucous sound alongside their trademark slow-burn anthems but it is really on the live stage that they function best as this was where all those years ago Geoff Travis was taken with their chaotic live set complete with animal stage props and signed them on the spot to rough trade 

So BSP are back and are playing two nights at Manchester's Gorilla with a bit of a change to the normal routine playing 2 sets one early on then one later. Never ones to do things by the book BSP don't disappoint a packed venue with nature paraphernalia on the stage which gives it the outdoor experience indoors. Their first set serves as a mouthwatering appetizer to what's to come with a couple of new songs an old one or two thrown in whilst switching vocalist duties which works to mesmerizing effect later on.

This is followed by an adequate bluesy folk set by Glasgow's sparrow and the workshop with an american country vocalist it seems but you get the feeling people are just holding out for the 2nd BSP set. 

Sure enough it doesn't disappoint arriving on stage via a military backing track and 'Venus in furs' which becomes relevant later and a ventriloquist? different. BSP part 2 begins with slowbuilding anthem from frontman Yan machineries of joy to hit in waiting velvets-like 'spring is sprung' sung to perfection by Hamilton to classic 'fear of drowning' to 'waving flags' which invokes the first mass sing along into the quirky new track loving animals to shouts of easy! easy! for 2nd big sing along of the night- 'no lucifer' they barely pause for breath in an incendiary set which shows why they are one of the best live bands around although their sound demands a bigger venue than the small surrounds of gorilla. 

BSP always stood out from the crowd but now they have attained national treasure status.

Wednesday, 27 February 2013

This is 2013 

Trawling through the many websites featuring the new artists and bands to look out for in 2013. There seemed to be a heavy majority vote towards female singer songwriters and female fronted bands, especially with Haim winning the annual BBC Sound of showcase As I already highlighted a couple of these including Haim and Savages and Jessie Ware in a previous post last year see I thought I would focus on four bands and one artist. 

With the exception of Chvrches which no doubt you would have heard quite a bit about if you have been attuned to the new music radar who of course are a female-fronted band and a top one of that, there are four more new music hopefuls to whet your appetite for this year with two bands from the north one from Birmingham and one from overseas.

All of these acts are reasons to get excited for 2013!
so lets begin..


Just when you thought the only music that was coming from Scotland was folk and heavy rock along come this glasgow three to dispel that myth. Chvrches - yes that is spelt correctly are an electro pop band who combine a synth heavy sound with a dominating stirring female vocal to create an urgent electro sound which is capable of blowing all those folk bands well out of the water.’Lies’ which came out last year is a perfect example of their talent of creating a throbbing electro anthem but they also have a softer side as showcased by ‘The Mother we share’ which tones down their sound using layered vocals and keyboard led pop to create something heartbreakingly beautiful. Their recent ‘Recover’ single also showcases their intelligent pop songwriting with a heavy synth backing and Frontwoman Lauren’s dark lyrics, perfect break up song. They have an EP by the same name coming out and have just announced another Manchester date for May,better be quick as could be another sellout for the spiritual masses.For a taster check out

The 1975

They might have a retro name but Manchester's The 1975 have programmed their controls straight for the future with their funky pop and ambient soundscapes . Just check out the anthemic ‘Chocolate’ with its funky guitar, quirky vocals and infectious melody and try to stop dancing to their rhythm. On the flip-side they also showcase an ambient pop side to their sound with Me and ‘Anobrain’ You can check out a taster of their brand new EP Music for Cars at Rolling Stone. They are playing most of the major festivals this year and are set to be huuuuge.
You can check out the video for 'Chocolate' below.


Whoever stated that Guitar Music is Dead obviously didn’t tell this Birmingham foursome. Still unclassifiable as to what type of music they create they combine swirling guitars and vocal harmonies as on 'Follow Baby' to create something loud urgent and soul stirring, perfect to follow on from that much talked about MBV release.They have just been on a whirlwind NME awards tour and are featuring on all the music festivals and should be hot property for the rest of 2013. For more info check out


Manchester has always had a fondness for slowbuilding windswept epics so its no surprise that Manchester band Embers use this as their template.However with the exception the power and abundance of energy that the band exert which pushes them into post rock territory not unlike Godspeed You Black Emperor! 'Parts of the Echoes' is an absolute mammoth of a track with its building wall of sound  Embers might be from Manchester but they are producing cinematic sounds their way.
You can check out their sounds here


You probably don’t know who Woodkid is but there is no doubt that you know his work. He is the creative force behind some of the best music videos directing Katy Perry’s Teenage Dream and Dark songstress Lana Del Rey’s Born to Die and also provides the musical backdrop for one of the top video games ‘ Assassins’.  Not content with being a credit on both of these masterpieces. He is now venturing out as a musician and combines a gospel like vocal with a filmic backing ‘Run Boy Run’ is a case in point with its tribal drumming intro and spoken verse along with its big production combining to epic effect. The same trick is repeated with Iron with its brass backing and vocals. This makes Woodkid one of the artists to watch in 2013. 'The Golden Age' is set to be released in March 2013.
See below for the ace video for ' Run Boy Run'

Of course there are so many more acts who are tipped to make it big in 2013 but these are my ones to watch for this year. Who are your big tips for this year?