Sunday, 23 March 2014

Dan Croll @ Ruby Lounge Manchester 19.3.14

Dan Croll - Ruby Lounge Manchester 19/3/14

The boy from Liverpool via Stafford has literally come from nowhere to becoming one of the hottest properties around. Moving to Liverpool at a young age to study at LIPA led to a chance meeting with one Paul McCartney and said single was at the top of blog chart Hype Machine for 3 weeks and Croll received more airplay on radio and even got added on the prestigious ‘ a new band a day’. After cutting his teeth, supporting Bastille and Imagine Dragons, Dan was now ready to be thrust into the limelight.
After wowing the crowds at SxSW in Austin last year, Croll is now doing a whistle-stop tour of the UK along with support band Racing Glaciers.

 Ruby Lounge is crammed tonight with what seems like tweens all eager to catch a glimpse of a new pop obsession. It’s almost like a boyband has come to town so it definitely bodes for an interesting evening.
Local band ‘ Racing Glaciers’ are up first with their keyboard led sort of Coldplay lite brand of emotive pop which seems primed for larger arenas. This works well for the young crowd as it seems they can’t get enough of their frat boy looks but still just remains inoffensive music for the rest of the crowd.

Dan Croll and band enter the stage with ‘Hello My Baby’ which sounds like a lost Lady Black Mambazo song. Its rhythm sets the tone for the evening. Launching into the kaleidoscopic pop of ‘Thinkin bout chu’ with its cooing backing vocals sends the girls at the front wild having the same effect. It soon becomes clear why he has a young appeal with his loved up lyrics. 

The falsetto of ‘wanna know’ brings the first sing along from the crowd. The dancey In/Out gets the crowd shuffling their feet. It’s crazy that he has just released his debut and every song sounds so familiar. ‘Compliment your soul’ is the next major sing along with its lolloping melody, brass parps and close harmonies - it still sounds as fresh as ever. 

A mention for his ace band here with Dave Kelly’s rhythmic drumming ably accompanied by the tight riffs of Jethro, John and Jacob who somehow becomes easy fodder for the crowd. Occasionally the music veers close to Vampire Weekend and there is an obvious Paul Simon influence. However Dan has the likeability and variety in his arsenal with none of the complexities of Vampire Weekend which with his complete focus on the melody and songwriting is a winning combination. There is a variety of styles on show here especially with the switch from soul to pop to afrobeat but it’s all perfectly arranged so it doesn't seem to make a difference to the crowd.

With a mention of his Mum and his creased shirt you can tell that despite all this newfound fame Dan is still grounded. This is so rare in an artist nowadays and all to his credit and he genuinely looks astounded at his popularity.

 Dan ends his set with the gorgeous of home an earlier EP which showed so much promise and showcased his songwriting talent. It’s the perfect way to finish a faultless set of course notwithstanding the electronic folk of ‘From Nowhere’’ and the acoustic pop sweetness of ‘Sweet Disarray’ as a closer.

 We might be a few months away from summer but with this special brand of sunshine pop that Dan is bringing to the Ruby tonight, it’s almost like August is here already.

Wednesday, 1 January 2014

JUICED Best of 2013

Hard to believe its been a year already and like former years 2013 didn't disappoint with unforeseen comebacks, new artists, interesting collaborations and established bands hitting their stride. If this year brings any of the above we are in for a pretty good year for music. As usual with the amount of top class releases its been a hard task to whittle them down to a top 10 but after much thought this was finally done and I managed to choose my number 1 record. Of course its only one person's opinion of course and I am open to suggestion to what record you couldn't get enough of in 2013.

This list of releases below demonstrates what a top year for musical talent 2013 was, and I reckon that all these release deserve their place in your collection enjoy :)


Daft Punk - Random Access Memories

A daft punk release is always met with a large amount of trepidation and this release was no different. Whilst there might have been an assumption that the band would go towards the EDM direction which a lot of bands are doing at the moment. This was daft punk and they always do their own thing. What they did do is enlist the help of a Disco legend Nile Rogers of Chic fame and an R&B superstar Pharrell Williams to produce a vintage yet fresh sounding album. You could not escape the catchy melody of ‘Get Lucky’ in the summer and ‘Lose Yourself to Dance’s disco guitars drew the listener in. Although the rest of the album used synths and vocoders and felt a little flat. They made it ok to like disco again with the help of some  friends.


Willy Moon - Here's Willy Moon

Some things go together, like bangers and mash ,bat and ball, sugar and spice etc. but 50s rockabilly and digital production? surely not likely. One listen to smash hit  ‘Yeah Yeah’ and its clear to see what this New Zealander was doing wasn’t such a bad idea after all. In fact its inspired especially on the prime cut from Willy’s debut album ‘my girl’ which sounds like a lost 50s rock n roll track fed through a synthesiser. With ‘Here’s Willy Moon’, in 2013, he breathed fresh life into old beloved genre and everyone was invited.


Haim - Days Are Gone

The LA three piece were one of the most talked about bands this year. Not only did they showcase their talent of crafting a mix of R&B and country with hooks aplenty but their live shows were joyous and unhinged showing all aspects of their personality and talent. They brought a fresh and honest perspective to a frankly stale music scene, not always politically correct but never boring and we loved them for it. Whether it was the breezy pop of Forever or the smooth stylings of ‘Go Slow’. Occasionally they edged too close to their obvious influences Fleetwood Mac et al but they managed to stamp their personality to stop it getting all too familiar.



Nick Cave & The Bad Seeds - Push The Sky Away
This represented a departure from his other guise as one part of bluesy rock act Grinderman which had a heavier sound towards an altogether restrained and softer approach. Despite this change of direction Cave doesn’t lose any of his power of storytelling and still remains an interesting lyricist. With songs like the slowbuilding melodic ‘Jubilee Street’ which has to be one of the loveliest songs he has written and the restrained ‘We Real Cool’ even manages to have a menacing undertone to it even though it has a sparse accompaniment with Cave crooning ‘ I hope your listening’ on it. It would be inexcusable to mention Warren Ellis here as its his instrumental washes on the tracks that really makes the album stand out.


David Bowie - The Next Day

 When the chameleon of pop announced he was releasing a new album it was almost like liquid dream that people never thought they would bear witness too. but this was actually happening. Bowie recorded his new album with former producer and collaborator Tony Visconti. The first fruits of this renewed partnership was ‘ Where are we now’ which depicted Bowie in contemplative mood and perfectly translated into what he meant to people and to the music landscape. The rest of the album harked back to his exploits as Ziggy and his 'Heathen' and 'Reality' releases but on this effort it looks like he has got more to say and it won’t be too long till we have another LP from him.

Lorde - Pure Heroine

One of the most talked about celebrities this year was Miley Cyrus and her controversial outfits and performances. It was heartening to think that contrary to this carcrash there were still some actual new songwriting talent up and coming who were all about the music rather than the glamour.Step forward new zealander Lorde with her own brand of R&B and Indie. Take 'Royals' which deals with  teenage dreams of being famous yet also understands that she is still young at 16 and therefore appreciates she is still a teenager as on tennis court. Her self-informed lyrics and minimalist production are a striking combination and show why she is a revered talent and unlike some she doesn’t have to show some skin to be noticed.


Chvrches - The Bones of What You Believe

When ‘Lies’ came out its throbbing synths and sweet but deadly female vocals heralded a new band that was set to change the ideas of what Glasgow was capable of. What really made them stand out was their combination of electro pop and the dark lyrics. Recover showed that this band were pleasant to listen to but had bite. Mother We Share showcased their softer side as Lauren’s vocals took on an altogether new register. It all added up to an album that was sinister in conception but also boasted some brilliant pop hooks and angelic vocals that brought some much needed lightness to proceedings.


Dutch Uncles - Out of Touch in the Wild

Another reason why all the best music was coming from Manchester. The Uncles new release arrived at the beginning of the year and captivated and impressed in equal measure with its jerky guitar art-pop rhythms and bursts of strings. Out Of Touch in the Wild is all over the place and shouldn’t work but the reason it does is because its has a pop sensibility running throughout as evident on classy numbers ‘ flexxin ‘ and the jumpy ‘fester’ . Rather than over-egg their music as some bands tend to do, they still have the personality and talent to match and in lead vocalist Duncan Wallis a voice you can while away the hours to.


London Grammar - If You Wait

The first thing that strikes you about the band is Hanna's commanding yet stunningly beautiful vocal. Its easy to feel every emotion she feels and the minimalist electronic backing provides the perfect backing for her strong vocals. Having been referred to as Florence meets the XX, the band are so much more. There is an emotional honesty to their lyrics and the restrained yet    of their music is captivating. When ‘Hey Now’ was released earlier on in the year it showcased their exquisite songcraft for all to see. ‘Strong’ expanded on this and became almost an anthem in waiting. The album had treats galore and if you waited till the end, there was even a cover of Kandinsky’s Nightcall which was breathtaking - a brilliant debut album and almost grabs the top spot.


The National - Trouble Will Find Me

 With every release Brooklyn's the National have been forging their own musical identity. They have always remained true to the song unafraid to emotionally bear their souls. There was a danger that with 2010s High Violet they might be looking towards the mainstream but their obscurity of their lyrics and carefully crafted songs ensured this was not the case.'Trouble Will Find Me could be their most personal yet accessible collection yet. Its a mixture of restrained beautiful instrumentals as on ‘Slipped’ based around Matt Berningers introspective lyrics and occasional orchestral Swells as on the surging ‘Graceless’ complete with backing harmonies. . One can't help but be floored by the stunning ballad 'I Need My Girl' and admire the slowburning brilliance of 'Demons' Whilst not as immediate as 'High Violet' it gradually worms its way in and rewards with repeat listens and then you have a new favourite. All in all a captivating record that showcases an established band at the top of their game and a worthy No.1 of 2013.

Sunday, 11 August 2013

NEW POST:11/08/13

Summer Gaze is Here

We witnessed it at the start of the year with Birmingham’s trippy neo-psychedelic scamps 'Peace' now it seems that a slew of bands are following suit aiming straight for the stars whilst dipping their toes in the acid rock cauldron and lets not forget the fact that Shoe-gazers Mazzy Starr are making their long awaited return.All of these elements suggest that a summer of psychedelia is upon us Three of the bands that are creating their own brand of intoxication over our attentive ears and minds are MONEY, Swim Deep and sit back relax forget about the rain and bask in their glorious array of sounds.


Manchester’s M O N E Y have been making waves for around two years charming new music fans with their combination of ornate instrumentation and feelings of loss. Their music is alike to recalling photographs and memories from a forgotten childhood but whilst also nostalgic is inspiring.Of course Manchester music has a long standing relationship with melancholy and sadness with the likes of Joy Division and The Smiths all basing their music around these aesthetics. Where M O N E Y stand-out is that they create music which although is tinged with sadness ultimately becomes something inspiring and uplifting. They recently played a gig at the Sacred Trinity Church in Salford which was the perfect setting for their spiritual sounds.Take new track ‘Bluebell Fields’ which effortlessly takes you away with their intricate layers of guitar and impassioned vocals that could easily become something morose but becomes a rare thing of beauty and wonderment.  

You can check out the video for ‘bluebell fields’ below:  for more info check them out on facebook

Swim Deep

Another band from Birmingham who like PEACE have a psychadelic facet but have a warmth rather than a spikiness to their music. Cutting their teeth with Two Door CInema Club on tour they have been slowly converting fans to the majesty of their swirling atmospheric indie pop. Taking their mantle on Chess Club records the label that brought us Kyla Le Grange and Lulu James   
they are in good company already. The band though are not ones to rest on their laurels as they let their music do the talking as recent single ‘She Changes The Weather’ which might have a bit of a baggy style about  it putting in mind of early Stone Roses but its wispy vocals and squalls of guitar create a heady moment of swoonsome pop to lose ones self to. Something in the water in Birmingham-maybe?

you can listen to ‘She Changes the Weather’ below:-


Its easy to mistake the Northampton band's track ‘ Colours of Life’ as a long lost 60s psychedelic track on the old ‘ Nuggets’ series, but the band are giving psychadelia a new lease of life with their combination of folk pop and psychedelic sensibilities. Whilst some may dismiss the track as repetitive trash, they are clearly missing the point of the track. With ‘Colours to Life’ Temples have created an intricate  tapestry of sounds that should easily win neo psychedelic fans over.Noel Gallagher stated recently that Temples are more important than the prospective Oasis reunion and I'm inclined to agree. The notion that the track could sound so much more epic in a live setting is a mouthwatering prospect but for now ‘Colours to Life’ in its single form will be the perfect trip to drift away on.

You can check out the brilliant trippy video for Colours to Life below:- for more information check their facebook.

Friday, 19 April 2013

British Sea Power Impress In Manchester

British Sea Power @ Manchester Gorilla 11.4.13

Throughout their tenure Brighton's British sea power have worn their eccentricities proudly as was shown on their complex yet quietly brilliant d├ębut,'Decline of British Sea Power'. However with each release they have been perfecting their songcraft to display a more anthemic and dreamlike quality to their music and occasionally have struck gold with 'Open Season' and 'Do you like Rock Music?' which was their grand statement and possibly their confirmation of true British rock royalty.

Their new release is said to be their best effort yet combining a raucous sound alongside their trademark slow-burn anthems but it is really on the live stage that they function best as this was where all those years ago Geoff Travis was taken with their chaotic live set complete with animal stage props and signed them on the spot to rough trade 

So BSP are back and are playing two nights at Manchester's Gorilla with a bit of a change to the normal routine playing 2 sets one early on then one later. Never ones to do things by the book BSP don't disappoint a packed venue with nature paraphernalia on the stage which gives it the outdoor experience indoors. Their first set serves as a mouthwatering appetizer to what's to come with a couple of new songs an old one or two thrown in whilst switching vocalist duties which works to mesmerizing effect later on.

This is followed by an adequate bluesy folk set by Glasgow's sparrow and the workshop with an american country vocalist it seems but you get the feeling people are just holding out for the 2nd BSP set. 

Sure enough it doesn't disappoint arriving on stage via a military backing track and 'Venus in furs' which becomes relevant later and a ventriloquist? different. BSP part 2 begins with slowbuilding anthem from frontman Yan machineries of joy to hit in waiting velvets-like 'spring is sprung' sung to perfection by Hamilton to classic 'fear of drowning' to 'waving flags' which invokes the first mass sing along into the quirky new track loving animals to shouts of easy! easy! for 2nd big sing along of the night- 'no lucifer' they barely pause for breath in an incendiary set which shows why they are one of the best live bands around although their sound demands a bigger venue than the small surrounds of gorilla. 

BSP always stood out from the crowd but now they have attained national treasure status.